About nyclovers

25. Me, myself & I. PR enthusiast. Whovian. Calligraphy. Allergic to almond, pink & male Pisces.

Good Read June 17 2015

Okay, starting today I hope to archive some of the good reads I found around the paper. Mostly these will be social media (cos I’m in PR in Vietnam, we need to catch up with the world real soon!).

1. Twitter could be so much more than just a Facebook rival – Jemima Kiss, Guardian.

Yes. We don’t go to twitter to catching up with friends. Do it on Facebook. Twitter is more of real time interaction and instant conversation around what is happening. Personally I don’t mind much about the ad in Twitter, they’re not as overwhelming and annoying as those on Facebook.

2. Face Recognition Technology: Has Minority Report-Style Face ID Arrived? – Sarah Snow, Social Media Today

Minority Report? Coooooooooool! Wait? Transparency? Not cool, not cool. Transparency, all things bright and beautiful?

3. How Social Media Impacts Customer Experience (and Vice Versa!) – MJ Wesner, Social Media Today

This is actually a reference for myself lol. Might comment later.

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Minority Report-style technology arrives: Introducing hands-free touch-screen ‘ultrahaptics’

IT’S FREAKING HERE!!! #fangirling this hard. Apple I’m looking at you recruiting this genius!

Read full report: Independent UK

It goes by the decidedly unsexy name ‘ultrahaptics’, but a new technological prototype announced by researchers from the University of Bristol is reminiscent of the gloves Tom Cruise uses in sci-fi classic “Minority Report” – and is nothing short of astonishing.

The device is essentially a touchscreen so sensitive that a user doesn’t actually need to touch it. Instead, it is manipulated via the vibrations from soundwaves alone – and feedback from it can be ‘felt’ in mid air.

[Week 12 Tute Preparation] Generative Arts

GENERATIVE ARTS

Light Leaks

(Created by Kyle McDonald and Jonas Jongejan for the CLICK Festival 2013)

Watch Video Here

Light Leaks by Kyle McDonald and Jonas Jongejan

‘Light Leaks is an attempt to fill a room with projected light in a way that can’t be achieved with projectors alone’ (Vinsjic 2013). The project creates an ‘unusual experience’ (McDonald 2013) by combining projected lights, codes and 50 pieces of filter glass.

Silk – Interactive Generative Art

(Created by Yuri Vishnevsky, with music and sound crafted by Mat Jarvis)

Draw something?

Interactive web-based program that allows users to create ‘silk waves’ by themselves. Variations among vector, colours and blending mode are available, which make every piece of art and the experience with each of them are like no other.

This is an (terribly awful) piece of doodle by me to see how Silk works:

Artwork created by Silk

Artwork created by Silk

(Zoom in the art you can see the point(s) from which your ‘waves’ will be drawn, varies from zero to five points, asymmetrical or symmetrical, mirrored or not mirrored).

TYPOLUTION

(Created by Olivier Beaudoin 2007)

This is a minimalist work using typography to address a social issue: pollution.

Discussion

Generative arts are ‘living’ artworks that breathe life into static works and enhancing real time interaction between human and ‘new media’. On one hand, generative arts are results of creativity and aesthetic, having the ability to ‘deconstruct’ complex issues by using visualisations, musics, etc. to convey the point(s). On the other hand, they are the outcomes of precise calculations and variations, despite their ‘randomness’ appearance (Whitelaw 2012).

In ‘Light Leaks’, light projectors are located at certain place around the room and are controlled by different codes and variations to light the room at precise locations and angles (also applied for the reflections from the glasses). Similarly in Wave Silk, although the silk waves appear to be random, in fact, they were calculated and illustrated exactly based on the ‘data’ (colours, blending modes, angles) input.

These practices continuously modify our experiences with the media and create new type of media. It is observable that media is moving away from the association with technologies and emerging with political and social issues (i.e. Typolution example). Going back to the start of the course, where McLuhan states that ‘the medium is the message’, the idea is somehow (forcefully) outdated by these movement in the media sphere. I have the feeling that media now acts as catalysts for future innovations and creations that have the ability to close the gap between physical elements (human, traditional machines, etc.) and abstract ones (cultures, beliefs, ideas, etc.) rather than being in the spotlight.

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Beaudoin, O. 2007, ‘Typolutio’, YouTube, 19 April, accessed on 31 May 2013, < http://www.youtube.com/watch?feature=endscreen&NR=1&v=zVPfTlpCKaw >.

McDonald, K. & Jongejan, J. 2013, ‘Light Leaks’, Vimeo, accessed on 31 May 2013, < http://vimeo.com/66167082# >.

Vishnevsky, Y. 2013, Silk – Interactive Art, webpage, accessed on 31 May 2013, < http://weavesilk.com/ >.

Whitelaw, M. 2012, ‘An Interview with Paul Prudence (Neural 40)’, The Teeming Void, 9 January, accessed on 31 May 2013, < http://teemingvoid.blogspot.com/2012/01/interview-with-paul-prudence-for-neural.html >.

[MARK2055] SupaBarn & Grandma’s Little Baker Proposal, Group Project

SupaBarn & Grandma’s Little Baker Proposal, Group Project

Subject: MARK2055, UNSW

Team Members: 

Quynh Khanh Bui, Tiffany Cho, Joe Ranallo, Stephanie Chung, Rachel Miri Kim, Derek Chui & Kenrick Choi

Project description:

With the objectives of finding the perfect partner for Grandma’s Little Bakery, a small, Australian based business that locates in Alexandria, our team had developed a business proposal towards SupaBarn, also a local business. Sharing many similarities from products, customer base to community involvement and shared values, our team believe this partnership will bring benefits to both parties in terms of profits, sales, as well as customer loyalty.

Poster:

Infographic about the compatibility between GLB & SB Made by me.

Infographic about the compatibility between GLB & SB
Made by me.

[Week 10 Tute Preparation] Agent Hill: When did you become an expert in thermonuclear astrophysics? – Tony Stark: Last night.

Technology and the media have opened up many possibilities for the last few years, especially in science. In the past, one way to validate scientific work was through peers reviewing (Seed 2011), through a ‘paper system’ of publishing (Wilbanks 2011). Such process was too time consuming and also resulted in a ‘huge bill’ with duplicate results from all over the world (Pisani 2011). Continue from last week topic about social organisation and the practice of collaboration, these two factors have pushed science and its practices into a new level. Indeed technologies and new media cannot be ignored. Web 2.0 has enabled scientists, or at least people who have knowledge about science to share their knowledge without any geographical constraints. Moreover, Web 2.0 also gives us something called OPEN SCIENCE. That is, knowledge sharing is no longer a privilege for those who have resource or the money, but general audiences like us also have a chance to engage in the scientific community to gain knowledge, or even to contribute. We are moving into a knowledge culture, as in everyday, outside of academic sphere (Seed 2011), where it is open to knowledge transaction amongst everyone, i.e. policymakers, educators, journalists, and everyday citizens (Seed 2011).

This caused remarkable changes in the traditional publishing industry. Physical copies of scientific work are no longer in favour. Information can now be accessed via database. One concern I have in mind is the funding policy. Indeed I am not the expert in this area, but the problem is rather obvious. Where would scientists get the fund from? Of course some databases make us purchase the works, such as JSTOR or Emerald Insight, hopefully the money will go to research. But people can still get lots of papers for free by sharing files by simply networking, or illegally download them. Large organisations like universities also become partners with those publishers so their students have access to such databases for, I assume, much less money than each individual would have to pay. One advantage those databases share in common is credibility. We can argue that some open source websites are non–benefit because they use crowdsourcing to assemble information. Here we have the question of quality. How credible is a work done with less funding compare to a full–funded one? That is why the government is willing to sponsor new researches, that is to ensure the outcome, rather than relying completely on the open network. In the case of Australia, Group of Eight universities take $36 million from the other institutions in order to fund researches (Pitman 2013).

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Seed (eds) 2011, ‘On Science Transfer’, Seed, 27 January, accessed on 16 May 2013, < http://seedmagazine.com/content/print/on_science_transfer >.

Pisani, E. 2011, ‘Medical science will benefit from the research of crowds’, The Guardian, 11 January, < http://www.guardian.co.uk/commentisfree/2011/jan/11/medical-research-data-sharing >.

Pitman, T. 2013, ‘The best and rest: why we should fund ‘average’ research’, The Conversation, 2 May, accessed 16 May 2013, < http://theconversation.com/the-best-and-rest-why-we-should-fund-average-research-13415 >.

Wilbanks, J. 2011, ‘On Science Publishing’, Seed, 28 January, < http://seedmagazine.com/content/article/on_science_publishing >.

[Week 9 Tute Preparation] Starbucks – Lessons Learned.

I’d like to start this week blog by discussing an example of a social media campaign held by Starbucks in 2009 that has gone sour (Brice 2009). The main idea of the campaign is to ‘leverage’ customers’ creativity to co–create new values for Starbucks (Brice 2009). Using the model of a ‘network’ provided by Knife Party in collaboration of Rayner and Robson (2010) in the video ‘Coalition of the Willing’, I would consider the Starbucks’ brand community a form of SOCIAL ORGANISATION whose key concept is participation and the end–goal is to create influence over larger organisations, i.e. the states (Murphie 2013, pp. 4). Starbucks’ idea of the campaign can be applied exactly to the notion of social organisation, where the commons ‘minimize harm and maximize authentic, sustainable, meaningful value’ (Bauwens 2011). Therefore, in the new social movement where the commons play a great role in creating and influencing values, capitalists appreciate the roles of social organisations in terms of providing from labour intensity to redefining social relations between the commons and the states (Sophie Ball, year not available, cited in Anonymous 2010). Such ideas may have been the drivers of Starbucks’ management decision to use the customers to generate new ideas for them.

As the video demonstrates, there are three main sites: the opensource reservoir, the idea generation room and the catalyst system (Knife Party, Rayner & Robson 2010). In this case study specifically, the first site includes new media tools, for examples, social platforms such as My Starbucks Idea Forum ( http://mystarbucksidea.force.com/ ) or Twitter (https://twitter.com/starbucks/ ). The ‘opensource’ is customers’ creativity. The idea generation room is where the customers contribute and discuss their innovative ideas. Finally, the Starbucks management team plays the catalysts who will analyse those ideas and make final decision.

It sounds like a great strategy.

But it seems like an open community does not function at all. Starbucks’ first mistake is mistaking normal customers with creators. Statistics show that only 21% of US adults has the ability to create while 35% are joiners who enjoy involving but actually useless (Forrester Research 2008, cited in Brice 2010). There are more than 50,000 ideas so far (My Starbucks Idea 2013), but how many of them are worth looking at? As Ostrom (2010) says, without any ‘shared norms’ and ‘rules’, or even institutions ‘to carry out their management roles’ (quoted in Korton 2010), the commons would be uncontrollable.

In short, the new government 2.0 opens many new possibilities for people to contribute to the community for its community–driven nature. However, this could not be mistaken as a non–government sphere. Ostrom justifies this as follows:

‘…[If] there’s conflict, you need an open, fair court system at a higher level than the people’s resource management unit. You also need institutions that provide accurate knowledge.’

(In Korton 2010)

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Anonymous 2010, ‘Elinor Ostrom’, p2p foundation, accessed on 9 May 2013, < http://p2pfoundation.net/Elinor_Ostrom >.

Bauwens, M. 2011, ‘Book of the Week: Umair Haque’s New Capitalist Manifesto’, P2P Foundation: Researching, documenting and promoting peer to peer practices, 13 February, accessed on 9 May 2013, < http://blog.p2pfoundation.net/book-of-the-week-umair-haques-new-capitalist-manifesto/2011/02/13 >.

Brice, C.E. 2009, ‘Has Online Social Media Failed Starbucks?’, Social Media Today, 9 March, accessed on 9 May 2013, < http://socialmediatoday.com/index.php?q=SMC/78962 >.

Knife Party & Rayner, T. & Robson, S. 2010, Coalition of the Willing, online video, accessed on 9 May 2013, < http://coalitionofthewilling.org.uk/ >.

Korton, F. 2010, ‘No Panaceas! Elinor Ostrom Talks with Fran Korten’, Shareable, 28 March, accessed on 9 May 2013, < http://www.shareable.net/blog/no-panaceas-a-qa-with-elinor-ostrom >.

My Starbucks Idea 2013, My Starbucks Idea, USA, accessed on 9 May 2013, < http://mystarbucksidea.force.com/ >.

Murphie, A.K. 2012, Social Organisation, lecture notes distributed in the lecture session at The University of New South Wales, New South Wales on 8 May 2013.